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The pair of releases shared up to now by the group Ashnymph defy easy classification: the band's own tag of their music as “subconscioussion” provides few hints. The first single Saltspreader combined a heavy mechanical drumming – guitarist Will Wiffen has occasionally been spotted on stage sporting a shirt that displays the emblem of Godflesh, icons of industrial metal – with old-school electronic keys and a guitar line that vaguely recalls the enduring garage rock anthem I Wanna Be Your Dog, before dissolving into a wall of disquieting noise. The desired impact, the band has indicated, was to suggest road trips, “the grinding circulation of vehicles all day long over huge distances … nighttime orange glows”.

The next release, Mr Invisible, sits somewhere between dance music and experimental rock. Firstly, the cut's tempo, strata of mesmerizing synths, and singing that comes either psychedelically smeared or mesmerizingly repeated in a way that recalls the classic Underworld album era all point towards the dancefloor. On the other, its powerful concert-like energy, edge-of-chaos quality and fuzz – “achieving a crunchy texture is a personal mission,” Wiffen has said – set it apart as clearly a group effort rather than a solitary home producer. They've gigged around the self-made music community of south London for a short time, “any venue that cranks the volume”.

But each is thrilling and unique – from each other and other current music – to spark curiosity about what Ashnymph might do next. Whatever it is, on the basis of these two singles, it’s unlikely to be boring.

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